The Mesa Verde Story

Lots of great memories going to Mesa Verde National Park, as I'm sure everyone does. However, I never climbed the Balcony House ladder, nor do I recollect seeing Esther the mummy - not sure how I missed that experience. Guess it's time to go back for a visit.

Eva-Tone red flexi on "The Mesa Verde Story."  Runoff shows 61071AXT, so guessing this is a 1971 recording. No indication who is voicing "Ranger Bill," or who is providing the Native American chants in the background. Cool little souvenir.

Listen to an audio sample

Jeannie Bradway, the Christian Cowgirl

I was going to post this record in July, when the Pikes Peak or Bust Rodeo was going on--but I forgot.  However, since there's a rodeo going on in Colorado practically every weekend, from now through September, I figure I'm still good to go on this little gem.

In the mid to late 1950s, little Jeannie Bradway performed with her parents, Bill and Jean, as the Harvest Time Trio.  Yes, we are talking about the same Bill and Jean Bradway, "King and Queen of the Silver Strings," who would go on to record the fantastic Gospel Hawaiianaires LP (1965).

Bill and Jean were channeling Les Paul and Mary Ford, when they added little Jeannie to the act. Around this time the couple started up the Rapture Talent Center record label, out of Denver.

Rapture Talent Center discography (label numbers noted):
1/2 - Darkest Before the Dawn / Behold the Man
3/4 - Walk with Me Lord / This Man
5/6 - ??
7/8 -  Christian Cowgirl / March Medley

Sam Johnson

Sam Johnson

Colorado Folk Ballads

(1965)

Side One:
The Place That They Call Home
A Long and Sad Farewell
Don't Blame Me
If You Like That Kind of Thing
All of September
This Weary Road

Side Two:
Where Man Once Was
Quiet Valley
Satan's Got a Way
Long Road Home
Ballad of Wilborn's Wall
There's Still a Place for Faithfulness
Together, Hand in Hand

I'm calling it.  My best obscure Colorado discovery of 2015 (actually, a fellow collector found this and sent it to me, but still).

Love. This. LP.

I first noticed the cover, the same picture used on the Emanon Majority LP I featured back in 2009. Your standard issue private vanity cover (collectors of these call this particular cover art the "burying a body," "taking a wiz," or the "Big Foot" cover).

Can't find a thing about Sam Johnson.  The only other name on this record is that of Scotty Glasgow, who produced this album in his basement recording studio on Cascade Avenue, in Colorado Springs. Scotty, who was born in 1916, worked at the Gazette-Telegraph, hosted the Scotland Pride show on KRDO-TV, and ran the Scotty Glasgow Advertising Agency, when he wasn't recording local singers.

He died in 1977.

Thankfully the LP had a typewritten insert from Sam:

"In response to recent requests for it, I have decided to release this album of original folk songs, featuring my favorites, the folk ballads."


"Concerning the songs of protest.  The purpose of 'Satan's Got a Way' is to explain the basic cause of the need to protest, not only in songs, but in everyday conversation. Understanding the cause of society's problems is certainly one big step toward realizing a solution.  If our great leaders can dig out from under their cover of intellectualism, open their hearts to Truth, and fight, not in the war between the nations, but in the war within their own hearts, more and more people will someday see a victory, at least in individual lives.  In the great physical war, as nations rise against nations, victory and destruction will be synonymous, but in the spiritual war, victory if attained, will be once and for all, and will mean real peace."

Eric Karlstrom

 Listen to a sample

Not sure where I found this endearing folk disc. It's been in my stash for a long time, so I assumed I did some research on it awhile back, or made a note that it had SoCo regional roots (it was stamped with a Pueblo address on the label), but I since lost those notes.

Back to square one.

So thanks again to the Internet Gods I tracked down Eric, who lives in Crestone, near the Great Sand Dunes National Park, about an hour north of Alamosa.  Come to find out, the record is actually out of Arizona, but since he is still an active performer in the SoCo region, I thought I would give his record a shout-out.

I'll let him share the details.

"I wrote those two songs my senior year of high school, this would have been 1967. 'A Red Flower' is something I wrote after reading the book, The Little Prince, in high school."

Listen to a sample of "Race to Knowhwere"

'The Race to Knowhere' kind of grew out of my readings on existentialism in high school - also perhaps the general mood of the country back then - this would have been 1967 - and the fact that both my parents were pretty high-powered academics. At the time, I kind of dreaded jumping into the rat race, but did anyway, of course.  I got a M.A. and Ph.D., and became a university geography professor, but kept doing music throughout, of course.

LEM (the name of the label) stands for Lunar Excursion Module, the vehicle that the astronauts were going to use on the moon landing.  My father was one of the geologists who trained the astronauts for the moon expeditions back in the late 1960s and early 1970s.  He funded the 300 copies that were pressed.  Calling it LEM Records was his idea.

One of my high school friends' father suggested that I record the song at the local KAFF radio, in Flagstaff.  I played harmony guitar and sang, and another high school friend, Richard Cavanaugh played lead guitar, and Dennis Olesniwich played tambourine.  Before we pressed the tape into vinyl the guy at the record company suggested it needed a bass. So my father paid a local bass player $20 to dub the bass part.

A high school buddy, Dave Fronske, was so taken by the sentiment of 'The Red Flower,' that he personally distributed it to all of the juke boxes in the local restaurants in Flagstaff. The radio DJs in Flagstaff also played it a lot - so I had my 15 minutes of fame pretty early in my career."

Check out his website.

The mystery of Finer Arts 6201

Well ain't this something...

Just when I thought I had all of the releases on Morey Bernstein's Finer Arts label, I find this (actually, it was a find from a Houston-based record collector friend, who knew I freaked out over Colorado labels and mailed it to me - grin).

Look, there is a ton of information about Morey and his time in the recording industry, so I won't duplicate the info here, so let's get into the story on this record, shall we?

In 1976 Morey, who had spent quite a bit of time in Pueblo, was basing himself out of Denver and living in the Brooks Towers on 15th Street (at one time, the tallest building in the city). He befriended a young couple who also lived in the building, Frank and Lana Berta.

"We would go over to his place, where he had a piano," Frank said. "He would play songs for us, and tell us stories about his time in the record industry.  He told us that he wrote the lyrics to 'Alley Oop.'"

Morey told the couple that he was working on a new release about an oil well, and wanted to play it for them.

"I remember it sounded kind of lame," Frank said.

Frank was an aspiring photographer, who worked at the local Waxman's camera shop, and Morey wanted to know if he would be interested in shooting photos for the single. Frank jumped at the chance. "He had some idea for some pictures, but it was really vague."

 The song, "Crazy Alice," was the story of an oil strike in Utah.  The song was not short of sexual innuendo.


The song is credited to The Well Drillers, what sounds like a couple of women and one male singer. As for who they are, who knows, but the flipside of the record might offer some clues.

WOW.

"Destination Heartbreak" is credited to a group called Sweettree and singer Jeannie Wyland, who sound similar to the group on the A-side. You know, a wild guess might suggest that these folks were a local lounge act that he discovered.

So what happened to the pictures Frank took? Well, it just so happens my Houston buddy, who sent me the record, also sent me a copy of some sheet music - for "Crazy Alice."

Merry Christmas to me. 

Frank and Lana would eventually divorce, and Morey would divide his time between Colorado and his property in Florida.  He would go on to release a few more records, and eventually came back to Pueblo, where he passed away in 1999.

Little Louie Gonzales

Collector friend of mine in south Denver found this Pueblo record - of which I am eternally grateful. Kid singer, with some pretty impressive chops, singing the gospel.

Listen to a sample

Getting a Donny Osmond, Tony DiFranco vibe.

Louie Gonzales is the eldest son of the Rev. and Mrs. Manuel Gonzales.  Dad was a preacher at the 1st Spanish Christian Church of God in Christ, located on Beech Street on the east side of town.  A quick search found that he was still active until about five years ago, then the trail got cold. The bio on the back of the LP notes that Little Louie was born in 1967, so best guess is this probably came out in 1975-1977, thereabouts.

Other players on the record are Joan Peterson on piano, drummer Steve Adams, Bob Vigil on bass, lead and rhythm guitar, and Philip Abeyta on trumpet.

Boulder's Southern Hills Junior High (1975-77)

Southern Hills Junior High School

Show Choir and Jazz Ensemble 1975-1976

Chris Finger and Vince Gnojek, directors

Audicom Corporation (USR 9272)

Side One:
I Believe in Music
Laughter in the Rain
Sorry, No Gas
Precious and Few
The Surrey With the Fringe on Top
December Child
Sausalito Strut

Side Two:
Love Will Keep us Together
California Dreamin'
I Won't Last a Day Without You
You're Sixteen
Love One Another
George M. Cohan Patriotic Fantasy

Listen to a sample of songs above

 I figure that since May is the time most schools start wrapping up the semester, I would spotlight an LP from the kiddos this time around.  I'm a sucker for any and all school-related LPs that feature pop covers, and this album from Boulder's Southern Hills Junior High (now Middle School) doesn't disappoint.

There are actually two (that I know of) releases from SHJH. Both are on the prolific Audicom label. Unfortunately, my copy of the 1974 release is trashed (someone decided to donate it to the thrift store where I found it...after they used it to sharpen knives), so I'll sample from my 1975-1976 album.