Showing posts with label Alamosa. Show all posts
Showing posts with label Alamosa. Show all posts

Monday, June 28, 2021

Alamosa High School (1917)

 

This has to be one of the oldest Colorado yearbooks in my collection - Alamosa High School, 1917. Found this at the big Denver antique mall. While it's not exclusively music related, I wanted to include it on the blog, as a historic look at a small town Colorado music education 104 years ago. It's pretty cool.

In 1917, a total of nine seniors graduated from Alamosa High. Right behind them, there were 12 juniors, 18 sophomores, and 22 freshmen.

A total of 11 students were a part of the first AHS orchestra. The yearbook notes that the group was founded in October, 1916. "Only five could play," according to the page notation. "Many, after a time,  decided that they could not conquer their instruments, and dropped out - now only eleven are left."

Alamosa High School Orchestra (1917)
Members noted (alphabetical order): Merle Aylard, Frank Byrum, Genevieve Freeman, Ernest Knutzen, Hilda Malmberg, Bernice Shahan, Esther Simmons, Gladys Stevens, Helen Sunquist, Mayme Whitney, and Glen Van Fleet
 
The yearbook notes that the Senior Glee Club formed on Sept, 23, 1916.
 
Senior Glee Club (1917) 
Members noted (alphabetical order): Rosalynde Allen, Florence Best, Evelyn Caffal, Louise Camp, Dorothy Cline, Francis Darling, Genevieve Freeman, Leone Hayhurst, Hazel Houser, Mabel Hutchinson, Charlotte Hyndman, Grave Kay, Gladys King, Oneta Kirkpatrick, Wenonah Koentz, Hilda Malmberg, Ruth McCabe, Blanche McCormick, Irene McDaniels, Emily McLellan, Louise Roderick, Jeannette Schooland, Minnie Snyder, Ruth Springer, Ellen Stevens, and Chrissie Taylor
 
Junior Glee Club (1917)
Members noted (alphabetical): Elsie Anderson, Helen Bell, Lillian Bergman, Helen Blackburn, Florence Farnham, Lorraine Freeman, Helen Groves, Mildred Groves, Oka Groves, Tina Kolkman, Christina Muff, Mattie Murray, Laura Nissen, May Paris, Maxine Pinchard, Pauline Ritchey, Frances Roberts, Helen Roberts, Ruth Sanchez, Dorothy Sanger, June Shipley, Lorretta Speraw, Dorothy Stanley, Winabeth Stephenson, Henrietta Stevens, Jewyl Stoddard, Agnes Taylor, Opal Timmons, Dorothy Traveller,  Flossie Turner, Lucille Walsh, and Edna Woodin
 
Double Quartet (1917)
Members noted (alphabetical order): Francis Darling, Genevieve Freeman, Hazel Houser, Charlotte Hyndman, Gladys King, Marguerite Knutzen, Melmoth Koentz, and Emily McLellan



Monday, December 10, 2018

The Singing Sands of Alamosa



Hey all! Hit a local thrift, over the weekend, and spotted this sheet music (yeah I know, like I need one more esoteric Colorado music-related item, to collect).

"The Singing Sands of Alamosa" was written, in 1942, by Kim Gannon and Bert Reisfeld, and was recorded by numerous folks, including Bing Crosby. The sheet music above shows bandleader Woody Herman. I've seen another copy, of this exact same printing, featuring bandleader Bobby Byrne's picture.


The record came out around the time Western-themed songs were all the rage. One Billboard review notes: "Another song of the wide open spaces, this one about the sands in the heart of Colorado."

In the heart of Colorado, there's a canyon every lover knows,
Where the dessert sands sing love songs, every time the wind blows.
The singing sands of Alamosa sang tenderly the night we found love was ours,
Deep in the sands of Alamosa the angels hid a song a mid the dessert flowers.
But since you said goodbye, there's no music
Just a ghost of what used to be


September 12, 1942
Billboard

The melodic wonder is located in the Great Sand Dunes National Park. The fine granules make an audible vibration, when the mounds compress the air within the moving sand. Eyeball this video.



Thursday, May 1, 2014

Job Timothy Vigil



 Job Vigil interviewed February 2014

Job (pronounced Jobe) Vigil’s life story could be a screenplay—personal struggle, hardship, perseverance, redemption, triumph, and concluded with a happy ending.

Born and raised in Pueblo, his interest in music started at a young age. “I started piano lessons before I was 5 years old,” he said. “I took 15 years of classical piano and 12 years of classical violin.”

After graduating from Pueblo East High in 1969, he was offered a full ride music scholarship to Adams State College, Alamosa, where he became a concertmaster for the school’s orchestra his freshman year.

Then he lost it all.

“I became involved with drugs and alcohol and at the end of the spring semester I lost my scholarship and dropped out.”

After floundering back home in Pueblo, unsure of his next move, Vigil got in his car and went to Denver to stay with a cousin. “He took me to a nightclub on the eastside of town, to see band a called Offspring [which featured Marc Gonzales, and another cousin, Charlie Vigil, formerly of Genesis]. As we walked in the door I heard the band playing "With A Little Help from My Friends" and I was hooked. I knew I wanted to be a performer.”

He was asked to join the group—as the band’s bus driver.

“After a while I moved back to Pueblo. I then got a call from my cousin Charlie. He wanted me to join a band.” The band was Kismet, which had a regular gig at the Foothills Ramada Inn, as well as Taylor’s Supper Club, in Denver."

It was around this time Vigil started writing songs. While admittedly he said he was naïve about the process, it allowed him to get his feelings on paper. In 1975, after finishing several heartfelt compositions, he decided to take them into the recording studio.


Side One:
Blueberry Candles and Cactus Plants
Gail's Song
I'm Coming Home to You
No Promises

Side Two:
Workin' My Man's Hands
Come Stay With Me
My Best Friend
A Little Piece of Love

Enlisting the financial help of his parents, and including his sister Elizabeth (background vocals), Marc Gonzales (bass), drummer Phil Tamez, and guitarist Dave Kintzele, Vigil booked studio time at Viking Recording in Denver.

Feeling positive about the finished product, and with the encouragement of family and friends, he had an estimated 200 copies of Blueberry Candles and Cactus Plants pressed. While the record received no local airplay, and would go on to sell only a handful, the experience only fueled his desire to get his music heard by a larger audience.



“A friend connected me with a songwriter friend of his who was living in Hollywood. He agreed to share his one-room apartment with me. Both of us went out every day knocking on doors to try to get our music out in front of anyone who would listen. Mostly, they wouldn't even let us get in the door.”

After countless rejections, Vigil found a willing and encouraging ear. “After she listened to bits and pieces of a few of those songs, she said, ‘Do you have anything else?’ I pulled out a couple of songs and one of them caught her attention. She liked it, but said it needed more work. She told me to work on it and come back when I felt I had it improved enough.”

But the money started to run out.

“A moment that is forever etched in my memory was the turning point for me. While going from door-to-door, trying to sell my music, I would bump into the many street people in downtown Hollywood. There was the bag lady, the guy with the shopping cart full of his life, and at night there were the drug addicts and so on. My roommate had connected with the owner of a restaurant just a block off the corner of Hollywood and Vine. He would sometimes let us wash dishes in exchange for a meal.”

After witnessing the hardship of life in Hollywood, he dug out the open-ended return air ticket he had kept, and flew home.

Not deterred by the experience, he continued to perform, eventually re-connecting with Marc Gonzales, in the band Cheeks. The two kept the band going for about three years. Vigil and his wife, Gail, then packed up and moved to Dallas where he found work in area nightclubs. With the steady paycheck, and additional work as a nightclub manager, it appeared he finally found some stability in his life.

"My following at the North Park Inn grew quickly and I added a happy hour gig at another bar. One night a regular customer told me he really liked my original music and thought I should record. I said I would love to, but didn't have the funds to do so. He was pretty wealthy and said he would invest the money for a single and then we would see what would come of it. By then I was also the manager of the North Park Inn nightclub, as well as the other gigs. I decided on the two songs and flew Marc Gonzales down to play bass and used a drummer from my trio from the bar. Another group of musicians had become friends of mine and I loved their vocals, so they agreed to sing backup for me on the recording. We did the session all in one day and I had about 250 records were pressed."



"I either sold all of them or gave them away. I didn't get any airplay that I know of, but it was a great experience. The recording studio was an amazing place, the name of it slips my mind, but all in all I liked the final product. These two songs were a little better than the songs on my first album, but still not strong enough to boost my career.
Vigil also found work acting in TV commercials and local training films.  "I did very well in Dallas, he said.”

But that was about to end.  “My wife and I were on the verge of a divorce. So we moved back to Denver. I joined a band, but my heart was not in it. My marriage was falling apart because of all of the time I spent on the road.”

As if fate would have it, his cousin Charlie contacted him. “He had become a Christian and was playing in a church band. My wife and I went to see him one night, and we liked it so much we kept going.” Vigil was so moved by the experience he knew he found his calling – as a Christian musician.

“I eventually traveled the country with my family, performing Christian music. During our final road trip, in 1992, I was hired as a worship pastor at a church in North Platte.”

Finally feeling like he had found his true calling. He started his own church, and became its pastor. The bubble burst when the board of the church he founded discharged him. “My wife and I did not want to leave North Platte for our children's sake. We had just opened a coffee house at that time and since it wasn't making enough money to support us, the publisher of the North Platte Telegraph, where I had done some stringer work, offered me a full-time sportswriter position. I became the sports editor and then was promoted to managing editor.”

Married 36 years in May, he and his wife also run two coffee shops in town (Da Buzz). He continues to perform music in a three-piece band, Job, Peter and Chuck.

“We play 60s and 70s music and have been selected as the area's favorite band for 6 years running.”

Sunday, December 1, 2013

Adams State College

I just realized, in all of the years I have written about Southern Colorado recordings, I have never featured anything from Alamosa.  It's not for lack of trying.  To be honest I never found anything, until now.

It's come to my attention that the talented band and chorale groups at Adams State College actually recorded their performances.  Below are the four I have located.  If anyone knows of any other vinyl offerings from the school, I would love to know.

The earliest ones I could get my hands on date back to the late 1950s and early 1960s. The a cappella choir recorded an LP of a concert tour they took part in that year.  The group traveled throughout Colorado, Arizona, Utah, Nevada, and California, throughout the month of April.

 

Adams State College A Cappella Choir
Maurice H. Skones, Director
1959

Note of another release, Adams State College Choir, Maurice H. Skones, Director (Century V12258) 1961.

In 1969 the group traveled to Germany and also documented the trip on vinyl.


Adams State Choir 1969-70 Alamosa Colorado
(United Recordings UAS 561-50190). Randolph Jones, conductor.

The following year, the college's concert and stage bands produced an LP.

Adams State College Concert Band and Stage Band
Al Anderson, Director
1970

Saturday, May 1, 2010

John Overton

Interview with John Overton conducted January 2010.

No matter how hard he tried, John Overton could not win the Sargent High School talent show.

"The first band I was in, in Monte Vista, with Eugene Mestis and his cousin Leroy both on guitar - we could never beat the comedy and acting skits that would always win." So the drummer learned how to play one of the most intensive songs to perform on his instrument, The Sufaris "Wipe Out."

"We placed second."

After graduating in 1974 he started playing with Anthony Dupont, and Tony Sanchez, in the local band, The Crusaders. "We’d play weddings and clubs, with a mixture of Spanish, country and oldies music." As often was the case, the members of the group suffered from personal conflicts, and broke-up almost as soon as they formed.

While attending Adams State College, he joined the band Los Chicanos - but the act only lasted a few months. A series of jobs would follow with other local groups, including Brown Magic, Alias Tube and Dusty, Badd Boies, and Camino.

While trying to find stable work, he saw an ad in Rolling Stone. "It was for Musician Referral," he said. "You pay $50, and I got put on a drummers list - and all of sudden I started getting calls for work."

One of the first gigs came from a Nebraska band, Diana Kay and the Country Riders. "They were in Montana, and needed a drummer for their tour, so I drove up with my gear from Monte Vista all the way to Montana." The job would take him throughout North Dakota, Wyoming, and Canada.

After the tour was over, the phone would ring again.

"I played in the soul band, The Coffey Show," he said. "They were out of Chicago."

Animo
(left to right: Anthony Dupont, Jake Medina, John Overton
and Timi Medina)

In 1985, the local group Animo was looking for a drummer. Popular around the San Luis Valley, the group would often pack clubs with their signature Hispanic garage rock sound.

"The guitarist Anthony Dupont and I were in The Crusaders, and Jake Medina, who was the bass player, is married to my aunt, so I knew the type of music they were playing, and just fell right into it."

Timi Medina also played guitar in the band.

The group would record a full-length self-titled cassette, with a mix of bilingual songs, but by the release of their second single ("Mi Floresita" / "Mil Amores" - Fussia 6001) in 1986 Animo would begin to unravel.

"Anthony got mad and left the band, so we brought Leroy Maestas in - then Timi left the band."

Alma
(left to right: John Overton, Vernon Pedilla, and Jeff Jacquez)

The following year Overton would go on to form his own band Alma, with Jeff Jacquez and Vernon Padilla. The group would release two singles on Denver's Fasttrack Records.


The band's song "Middle of the Rainbow" would peak at #2 on Monte Vista's KSLV weekly radio hit list in October 1988.

Indian Nickel

For the past five years Overton has performed with the local band, Indian Nickel, which includes former Alma keyboardist, Jeff Jacquez.