Showing posts with label Sheet Music. Show all posts
Showing posts with label Sheet Music. Show all posts

Monday, November 7, 2022

Our Next Governor March - A.W. McIntire

Hey all! Finally getting around to filing a stack of sheet music I have, and (re)discovered this amazing find - a 1894 copy of "Our Next Governor March."

Nice early political Colorado piece, as it appears to be a composition hyping recently-elected Governor Albert Willis McIntire.

This has to be the first piece of music memorabilia mentioning the tiny San Luis Valley town of Conejos (below the governor's name).

Yes, I did noticed that the last name of the governor (and his hometown city name) is spelled wrong. I guess in the hurry to print, accidents happen. 

Composed by C.E. Anderson, the instrumental was published by Argenta Music, Denver. It lists J.J. Guentherodt as its copyright holder.

McIntire was Colorado governor from 1895-1897. According to his obituary he was originally from Pittsburgh, but relocated to Colorado in 1876.  He announced his run for governor, in 1894. In the general election, he defeated the Populist Governor David H. Waite and the Democrat Charles Thomas. During his administration, leasing of state lands was limited to ten years, the State Bureau of Mines was created, and the age of consent for girls was raised from sixteen to eighteen. In June of 1896, he sent the state militia to Leadville to put down a strike of silver miners. His term ended on January 12, 1897 and he resumed the practice of law and ranching in the San Luis Valley. He purchased a large cattle ranch on the Conejos River, north of the present day town of La Jara.

He died in 1935, and is buried in the La Jara Cemetery.



Monday, September 13, 2021

Leslie Fore

I'm constantly surprised when I find a Colorado record, which has completely slipped through the cracks of my collection. So is the case with this 1981 EP from Leslie Fore.

My Colorado Home shows the total of four songs, and not much else. The songs are performed by Thomas Roland. The genre could be described as antiseptic, and very dated. I wish I could offer more of a review, but there really is not much to elaborate here. The lyrics and singing style on this record are more 1931, instead of 1981. No credits mentioned on the backing musicians. I'm guessing that the music is quite possibly a simple backing track, as it sounds almost the same on every cut.

 Listen to "In The Garden of the Gods"

 Leslie Fore's history is far more interesting, and helps solve the mystery of this album.

1955 Photo of Leslie Fore (Denver Post - watermarked)

Born in 1896, Fore was a one-time bandleader, and a dedicated sheet music collector, with an emphasis on Colorado-themed songs. He was also an elevator operator at the Colorado Historical Museum.

 
October 6, 1960 - Monroe (Louisiana) News Star

In a 1938 issue of Hobbies - The Magazine for Collectors, Fore placed an advertisement for souvenirs, postcards and novelties. The ad noted his 1525 E. 30th Street home address, in the Whittier neighborhood of Denver.

In 1954, the U.S. Copyright Office showed his Success Music Publishing Company was located at 3151 High Street, near the corner of what is now Martin Luther King Jr. Blvd. and High St.
 
According to copyright filings, Fore not only collected Colorado sheet music, but he also composed it, dating back to 1922. 
 
1922
"Miranda on the Old Veranda"
 
1936
"In The Garden of the Gods I'll Wait for You" 

1954
"My Colorado Home"

1965
"Angel In My Dreams"
 
1974
"I'll Wait At the Gates of Heaven"
"You're Gonna Miss Me When I'm Gone"
 
Sadly, I couldn't find an actual printed piece of his sheet music. I checked with Tom Merry, my go-to on anything sheet music related, and he had nothing related to this composer. The 1936 "In the Garden of the Gods" and the 1954 "My Colorado Home" both show up on his 1981 album, which explains why this disc sounds about 40 years older than it's original year released. 
 
I also couldn't find anything related to Mr. Fore's time as a bandleader.

Fore died in 1992, at the age of 96. He is buried at Fairmount Cemetery (marker below). 




Monday, December 28, 2020

"I've Got a Million Dollar Baby" from Phippsburg, Colorado

 

Can't say that I have ever run across a Colorado music item from the tiny town of Phippsburg (population 204, as of 2010). That noted, I certainly wasn't prepared for going down a very interesting rabbit hole, with this obscure find.

"I've Got a Million Dollar Baby" was written by Daniel C. Brockman, with music by Burrell Van Buren. The address on the sheet music notes Brockman Publishing House, Box 114, Phippsburg.

If you are thinking the title sounds familiar, you aren't alone. I immediately thought of "I Found a Million Dollar Baby (In a Five and Ten Cent Store)." But this piece was written in 1930, and the the Fred Waring hit was published in 1931. The lyrics are completely different, between the two.

I'm so happy today 'cause things have changed and how
Met a girlie and say, she is my weakness now.
Her Dad made a pile of dough in Wall Street. Do you wonder that she makes my heart beat?
I've got a million dollar baby
She's one in a million to me.
She loves me and I don't mean maybe
That's why I'm so happy you see
Although she's rich, she isn't haughty
A sport and still she isn't really naughty
I've got a million dollar baby. She's one in a million for me.

Phippsburg is located 150 miles northwest of Denver, and 35 miles south of Steamboat Springs. I located the lyricist Daniel C Brockman in the 1930 census records, as living in Phippsburg. The records list him as being born in 1898, in River Bend (in Elbert County), Colorado. However, the 1940 census listed him living in Jefferson County, in the now-ghost town of Bancroft, with his wife Dora, and children. The records show that he died in 1964. He is buried at Crown Hill Cemetery, in Wheat Ridge. 

Along with being a songwriter, Mr. Brockman was also an inventor. In 1924 he received a patent for his vehicle turn signal lighting device. 

As for Burrell Van Buren?

Long before there were song poem rackets (businesses which took an amateur lyricist's words, and set them to music, recording the songs with studio singers - popular in the 1960s and 1970s), there were guys like the Chicago-based Burrell Van Buren (born 1884). In the early 1900s he would place ads in newspapers, promising to compose music for anyone with poems, which he would publish as sheet music (all for a fee).

Sandusky (Ohio) Star-Journal - January 10, 1920

When a prospective client would contact him, he would hype the fact that "there is no reason why your song should not find a ready market" (see third picture below). He would also laud his credentials as a successful composer, with the client's songs being played at large venues, including the Chicago Rialto:

(click to enlarge)
 
It's estimated that Van Buren composed the music to more than 60 published works of sheet music, written by mail order clients. He would include the city where the lyricists lived, on the sheet music, to make it appear that their hometown was home to not only a publishing company, but also a well-known songwriter (solving the mystery to the one and only piece to be printed at the "Brockman Publishing House" of Phippsburg, Colorado).
 
Van Buren was hardly the only person getting the hopes up of amateur composers. In the era, there were several companies, including Success (believed to be the first), Madden, Melville,  Simplex, USA Music, etc. 
 

One of the earliest Van Buren vanity-published sheets (1918). Lyrics credited by Morris H. Abell   courtesy of the Library of Congress
 
The long-gone musician magazine, Etude often ran editorials on "song sharks," warning its readers of these companies.
 

The jury is still out as to whether or not clients were actually promised more than he could deliver. While they were supplied with actual sheet music of their lyrics, the definition of "a ready market" might be up for discussion.

Van Buren continued to write music, well into his years. I found an article, in the Walla Walla Union Bulletin, dated March 13, 1950, noting that he had been a music composer "for the past thirty years," and currently lives in Oregon. He passed away in 1957.

Thursday, August 27, 2020

Marguerite Frey - Denver's National Beauty


My dear friend Tom Merry offered me up a stack of state-related sheet music pieces, recently. While my own collection is a small fraction of my obsessive Colorado music archive (compared to the records), I've really enjoyed diving in to this much-neglected segment of the state's music history.

One of the pieces he generously gave me was a 1907 instrumental entitled "Marguerite The Beautiful," by Josephine Clement.

In case you couldn't tell by now, I love digging deep when it comes to these finds. Of course, I had to find out more about Denver's "Own National Beauty."

In 1906, The Chicago Tribune sponsored a national contest, to find the "most beautiful woman in America." The publishers invited newspapers, from 26 major U.S. cities, to hold their own state contests.  Knowing that pretty women might be too modest to enter, the paper encouraged friends and family to enter the young lady's photo.

Marguerite Frey's sister saw the contest ad, for a "sweet, unaffected American girl, the finest creature ever created," and secretly entered her sibling's photo in the local Denver post contest.

To her shock, Marguerite, an accountant at the Bankers Supply Company (formerly located at 2830 Blake) won the contest, and was named the "Most Beautiful Woman in Colorado."

But the blue-eyed blonde's fame wouldn't end there. As the winner of the state contest, Marguerite was instantly entered in a national contest, to be held in Chicago, to pick the most beautiful girl in America.

According to the French published Au Pays du Dollar (In the Land of the Dollar), by Raymond Gros and Francois Bournand (1907), which documented American culture of the era, and the contest:

"Marguerite Frey was a 19 year old, blue eyed blonde, working for $8 a week at The Banker's Supply Co.. She stood 5' 8 1/2" tall, weighed 135 lbs. and had a 36" bust. She likes music, a clear moon, red and white roses, little white cats, chocolate cream, and theatre matinees. She dislikes cruelty, envy, snakes, gossip, and under-cooked meat.  Her ideal pleasure would be a large bouquet of violets, a box of cream chocolates, a boat ride on a lake, with the moon reflecting in the waters, and a young handsome man rowing."

The book went on to document:   
Her greatest ambition: to be a good girl. 
Her greatest hope: to earn his good fortune. 
Her greatest fear: an unhappy marriage. 
Her dearest friend: her mother. 
The one she loves the most: her sister.

According to the authors, Marguerite "saw the other candidates, and thought she couldn't win, but she still got a trip to Chicago out of the experience."

On July 7, 1906, Marguerite Frey, the accountant from Denver, was named "The Most Beautiful Girl in America." 

The Denver Post posted a large two-page spread on her national celebrity - and a full-page color picture, on its front page.


 

 The book notes that, according to the judges, Marguerite won because she had "a perfect profile, perfect pink and white skin, large tender blue eyes, beautiful, thick curvy light golden hair, perfect white teeth, and purity of expression."

First runner-up was awarded to 23-year-old Gabriella Worsley, from Union Grove, Wisconsin. Second runner-up went to 22-year-old Eola Rice, from Washington state.

National publicity soon followed, as reporters came to Denver to find out more about her. The Au Pays du Dollar notes: "Marguerite Frey, the most beautiful woman in America, and perhaps from all over the world, remains in a modest small house on a quiet street in the fashionable district of Denver. She lives there with her widowed mother and sisters. The father was a hard worker who saved and bought this little house for his family. He died shortly after. Marguerite, in her older sister's opinion, should receive a good education and she graduated from the Normal School. Then she entered as an accountant at Bankers Supply Company. She had to work to help her mother."

As Marguerite's fame grew, so did the creative tributes to her celebrity. Along with the sheet music, I found several postcards produced (click on each to enlarge).



(Note the "$100,000 in advertising was spent in finding her")

 
 
 

On October 27, 1908, She would marry Wilson McClaire Armour (1882-1940). The one-time "Most Beautiful Woman in the United States" would pass away on April 7, 1961, at the age of 72. She is buried at Fairmount Cemetery, Denver.









Thursday, August 20, 2020

Dr. AJ Kiser - Colorado Springs Dentist and Political Lyricist


  Dr. AJ Kiser
(photo courtesy of his family)

Continuing the political theme from the last post. I wanted to write about the very interesting story of Colorado Springs dentist, Dr. Arthur Jay "A.J." Kiser.

Dr. Kiser was born in 1871, in Ohio. He graduated from the University of Maryland, with his dentistry degree, in 1894. In spite of having a degree in dental medicine he moved to Cripple Creek, in 1910, to try his luck in gold mining. In 1915 he began to put his degree to use, and opened up a dental office in the Burns Building, in Colorado Springs (NOTE: the building later became the Chief Theatre, it was demolished in 1973).

He and his wife Mary made a home at 31 Boulder Crescent, off of Platte Avenue,  right next to Monument Valley Park.

Home of Dr. AJ Kiser, as pictured in a "Colorado Springs Walking Tours" guide.
(click to enlarge)

As if being a licensed dentist, and a former gold miner weren't interesting enough, Dr. Kiser was also a poet. He started writing poems during his regular trips to Calhan and Simla, to treat rural patients.

It’s estimated that he wrote more than 5,000 poems, in his lifetime.

A staunch Democrat, he often put his political thoughts into prose. It's not known when or how he decided to turn his poems into songs. He would team up with Russian composer Edouard Heselberg (the father of Hollywood actors Melvyn Douglas and George Douglas, and great-grandfather of actress Illeana Douglas [granddaughter of Melvyn Douglas], who wrote the music to his lyrics.


Gov'nor Cox You'll Surely Do (1920)
Words by AJ Kiser  / Music by Edouard Hesselberg


Jimmie Cox Will Win the Day (1920)
Words by AJ Kiser  / Music by Edouard Hesselberg

Dr. Kiser was a avid supporter of Ohio Governor James Cox, who ran for President, in 1920. Cox's running mate was future president, then-Assistant Secretary of the Navy Franklin D. Roosevelt.

"Gov'nor Cox, You'll Surely Do" and "Jimmy Cox Will Win The Day" were written as campaign support songs. No idea whether they were ever used at rallies, or if the candidate ever heard the compositions.

Democrats turned the Republican 1900 slogan, “A full dinner pail,” against them in this song supporting James Cox in 1920. After two terms with Woodrow Wilson, why change back to a party that offered “hot air” and promises with “false bottoms?” the cartoon cover art (below) asks.


A Full Dinner Pail was Once Their Cry
Words by AJ Kiser / Music by Edouard Hesselberg

Republicans had men of note 
E’er Democrats did get their goat 
In office they were very sly 
The Tariff was their hue and cry 
They sometimes talked of weal and woe 
And sometimes of the poor man’s dough 
Full dinner pail was once their yell 
And for it all the workmen fell. 
It took the workmen many years 
To wake up and remove their fears 
That if the party did not win 
They each would be without their tin 
Teddy made an awful state 
But 1912 sure changed his fate 

Affairs were charged by stroke of bold 
The Democrats then won I’m told 
Again this fall we all will vote 
Let’s vote to oust some men of note 
Men who are selfish measley small 
Refused to hear the suffrer’s call 
They said when we had won the fight 
To hell with Europe wrong or right 
These senators are not so proud 
And later on we’ll show that crow 
We’ll show them what we don’t approve 
By votes we strongly will reprove 
We’ll let them stay at home a spell 
How long I really cannot tell 
I’ve heard it said until they’re dead 
By whom in hell they will be led 
Lodge led them in the Senate hall 
He led them to their own downfall 

Chorus 
They won, they won like one two three 
And I’m happy as can be 
Their records great, the ship of state 
Files Yankee flags on every sea
The war was one when just begun 
The Allies licked the German Hun 
The peace was signed, the Germans whined 
They dropped the sword, they dropped the gun 
France a treaty then was framed 
And Wilson sailed with glorious fame 
A fight began I hate to say 
That thirty senators might win the day 
They’re patriots who do not know 
That hell’s for sinners down below 
Now Judas surely went to hell 
So to these men we say farewell
 
Cox would go on to lose to Warren G. Harding.

Dr. Kiser continued to write political-themed songs, throughout the 1920s. He focused not only on political candidates, but also social change, and war.

Once World War I ended, politicians considered how to craft peace. Democrats favored the League of Nations and diplomacy. The cartoon cover (below) attacked the opposing stance, Warren G. Harding’s “Peace by Resolution,” an independent declaration terminating U.S. participation in hostilities. The devil is seen encouraging Harding to opt for this solution. A similarly diabolical surgeon pronounces that a blind G.O.P. has lost its nerve. After winning, Harding did sign both a resolution for peace as well as a unilateral treaty separate and distinct from the disputed Treaty of Versailles. 


Give the Devil His Dues
Words by AJ Kiser / Music by Edouard Hesselberg

“It is said in holy writing to the devil be unkind
And I wonder if they foresaw What I now have in mind?
I’m for the League of Nations, just as the thing is drawn.
And I’m against a make-shift so I’m singing you this song.
Give the devil his dues, give the devil his dues.
Isn’t he now stalkin’ around in Senator Harding’s shoes?
He says Peace by Resolution, He will sign if he’s a chance
Though one hundred thousand of our boys are laid away in France.
We spent billions in the fight, just to win the ghastly war.
If we make Peace by Resolution, may I ask you what for?
For when the war did first begin, we one and all did say
With all the allies we’ll stick, e’en thou hell might be to pay.”

While politics was the main topic of his published pieces, he would go on to write other compositions, several related to his hometown, Colorado Springs.


The back of his published pieces of sheet music showed several compositions, in 1920.
(Click to enlarge)


In between writing lyrics, Dr. Kiser wrote several unpublished books, on the afterlife and beyond-the-grave communications. In 1928 he sent a manuscript, of one such book idea, to Arthur Conan Doyle, author of Sherlock Holmes.

"Under separate cover I am sending you a carbon copy of my manuscript, which I regard as a very valuable contribution to the gospel of spiritualistic phenomenon." The correspondence was noted in the 2011 book, Masters of Mystery The Strange Friendship of Arthur Conan Doyle and Harry Houdini, by Christopher Sandford.

According to a history of early Colorado Springs families, "The doctor is a member of the First Spiritualist church of which he is a trustee, while Mrs. Kiser and the children are members of the Catholic church. His political endorsement is given to the Democratic party but he is without desire for office as reward for party fealty. Fraternally he is well known as a York and Scottish Rite Mason and member of the Mystic Shrine and in his life he exemplifies the beneficent spirit of the craft."

"Honolulu" - words by Noble AJ Kiser / Music by Nobel Edouard Hesselberg (1920)

By the 1940s, his lyrics turned more toward World War II fighting songs, with tiles such as "We're Bound to Whip the Jap" (1942, music by Bob Carleton). In 1954 he penned "Waltz Around Me Again, Harry," (assuming this is about Harry Truman, however I couldn't find a copy, to confirm).

I found a listing of his last published song, in 1955, just seven years before he would pass away, in 1962. The composition was entitled "Every Song Was First a Poem."

Dr. Kiser retired from dentistry in 1960, at the age of 89.

 

Dr. Kiser died December 14, 1962. His death made the front page of the Colorado Springs Gazette Telegraph. He is buried at Evergreen Cemetery, Colorado Springs.



Tuesday, August 18, 2020

Democratic Fun - Queen City Ragtime Ensemble

It's that time again, for national political conventions. While there were quite a few Colorado songs dedicated to a particular President, I could only find one song, in my personal stash, dedicated to a political party.
 

(2:30- lyrics begin at 1:41)

"Democratic Fun," performed by the Queen City Ragtime Ensemble, was actually taken from a 1908 song, penned by Robert Buechel, and published by the prolific Tolbert R. Ingram. The ditty was in commemoration of the Democratic National Convention, held in Denver that year, at Denver Auditorium Arena (see another related piece of sheet music at the bottom of this story).

"Old time democracy is good enough for me
To Washington we'll go
For four long years or more
And in the White House grand
Once more we'll take our stand
And fight for country, and home and old democracy."

While William Jennings Bryant was chosen as the nominee, it was William Howard Taft who occupied the White House, the following four years.

The 1908 convention was the first convention of a major political party in a Western state. The city did not host another nominating convention until a century later, at the 2008 Democratic National Convention.


 The song, "Democratic Fun" can be found on the Queen City Ragtime Ensemble's 1986 album, Everybody's Rag. The disc featured Hank Troy (piano), Maurie Walker (banjo), Bill Clark (tuba), and Marl Shanahan (drums).

The ragtime band came out of the equally-popular Queen City Jazz Band, a group which is still very active, after more than 60 years together (the jazz band formed in 1958).


The Queen City Ragtime Ensemble's first release (self titled - Zeno HHZ 99) featured Walker and Clark, along with drummer Jack Cook, and Ray Leake on piano.


Walker and Clark show up on the 1981 Ragtime Banjo Commission album, along with Jeff Frank (of the Pearl Street Jazz Band) and Cal Owen.

 
While there has been a revolving door of members in the group, Hank Troy is still part of the ensemble, and is the last remaining active member of that vinyl recording era.

 
Also of note, there was another piece of music composed for the 1908 Democratic convention, in Denver - "Denver Auditorium March," written by Freda Richter (and published by O.H. Richter - leader of the Orpheum Theatre Orchestra, Denver).

Monday, July 20, 2020

"Fight Fight On For Denver U" - Al Berube and Plains Music Publishing

 

Hey all! I haven't dug into my Colorado sheet music in a spell, so I thought I would post this latest acquisition - "Fight Fight On for Denver U."

Music was composed by Milton Shrednik (who was actually the music director at KOA radio). He passed away in 1957. Sadly, I could not find anything on the lyricist, Georgia Colclough.

Stand up! Stand up! And yell for Denver!
Yell when the Pioneers appear!
Naught prevails and pow'r of Denver, give 'em a mighty cheer!
Rah, Hu-rah! Hurah! for Denver Pioneers, so bold!
Shout, so Shout, Oh Shout for Denver. Shout for colors, red and gold!
Fight, Fight you men of gold, fight for Denver U!
Crash the enemy, line from the start!
Smash their plays apart!
Red shirts you must win today, let our voices rise and give three cheers for the Pioneers.
Varsity of Denver, Fight Fight Fight!

Strangely, this was not the official University of Denver fight song, as that was written in 1916, and entitled "Fairest of Colleges." According to the front of the "Fight Fight" sheet music, that song made its debut during the 1937 homecoming. It was performed by the University of Denver band.


"Fight Fight On For Denver U" was published by Plains Music Publishing, located at 24 W.  Bayaud (in the Baker part of Denver). It appears the building, believe it or not, is still standing.

(This building is actually listed as 30 W. Bayaud, but you can see various offices/apartments noted)

Plains Music Publishing was owned by Al. N. Bérubé, who also taught dancing and various musical instruments.


Denver Catholic Register
July 22, 1937

Mr. Bérubé was semi-prolific, in the sheet music business, as I found several notations of published pieces, including "Denver" (words and music by Rosamond L. Little - published 1940), and a song entitled "Oh How I Love You, Colorado" (words by Flora Pool and music by Malloy Miller - year unknown). 

Other pieces included "Learn to Keep the Corners of Your Mouth Turned Up and Smile, Smile Smile" (lyrics by M.E. Baker and music by A.N. Bérubé - 1941). Plus a fantastic Cañon City-related piece of sheet music "Canon My Canon" (words and music by Jimmie Miller - 1940)


According to the Royal Gorge Regional Museum and History Center, Jimmy Miller was an inmate in the Cañon City prison, when he wrote this piece. The song was performed by the Tiger Band at the high school. The cover shows a photo of the Cañon City High School Band gathered in front of the school building's front entrance.

I also discovered that Mr. Bérubé was using a pseudonym, Alex André, on some of his pieces, including "You're the Reason Why I Fell in Love" (1941), "You're the Person I Fell In Love With" (1941), "Keep Smilin' Pal of Mine" (1941), and "Possession" (1941).

As luck would have it, a couple of weeks ago, I found yet another Plains Music piece, "My Haunting Melody" (words by Gladys Bailey and music by A.N. Bérubé - 1940). The piece apparently received national recognition, as it shows well-known bandleader Ted Weems on the cover (and signed by Gladys Bailey).


I found Al living in Cheyenne Wyoming, before he came to Denver. I noticed he wrote a few pieces of music, while there, including "Meet Me in Cheyenne For Old Frontier Days" (1934).